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When it comes to plotting, the conventional wisdom is to play the “What If?” game. When your “What If?” well has run dry, try one of these plot hacks:

New year, new ideas! We’re all planning our writing for 2023 now, but we need to make sure that we prime the pump throughout the year. Here are seven ways to jumpstart your imagination that you can write right into your calendar:

As an agent, author, and former acquisitions editor, I’m always stunned when aspiring writers tell me that they don’t have time to read (don’t ever say that, it’s a red flag, seriously). Writers read, and good writers read a lot. (That’s why agents and editors will often ask you what you’re reading and/or start a conversation about books, to see if you walk the talk.) If you need any more motivation, here’s a round-up of famous authors on the importance of reading for writers.

We are a people in search of a hero, always. And readers are a people in search of a heroine, always. One of the biggest problems I see in manuscripts—confirmed by editors when they pass on projects—is the protagonist. Your protagonist should be compelling and...

Getting an agent can be a challenge. Given the sheer volume of queries agents receive—such largesse that many agents find it impossible to accept unsolicited queries—it’s not easy to make you and your project stand out. Here are some tips to help you to capture an...

It’s conference season again, that wonderful time of year when we agents listen to hundreds of pitches—some good, some bad, and some ugly. Here’s what not to say. (And yes, these are real lines from real-life pitches.) #1 My villain is so bad he kills the dog. It’s...

Point of view issues keep more otherwise sellable authors from selling their work than nearly any other problem. That’s why as an agent, author, and writing teacher, I always caution my clients, fellow writers, and students to play it safe when it comes to POV. And yet every once in a while I come across a story whose author threw caution to the wind so splendidly I am tempted to play around with point of view myself. If you find yourself so inclined, read on.

I recently led a workshop at the New York Pitch Conference, an event dedicated to helping writers perfect their pitches—and in the process, discover what might be keeping them from selling their work in an increasingly unforgiving marketplace. Often it’s the fact that there’s nothing unique enough about the project to persuade agents and editors and ultimately publishers to take a chance and champion the work.

In a publishing landscape that’s more difficult than ever, thanks to the pandemic and other factors affecting retail businesses right now, it’s more important than ever that you are able to differentiate your story, positioning it against all of the bestselling titles by brand-name writers. While it’s true that book sales are up, they are up for backlist, that is, books that have already been published, mostly by authors who have already found an audience. For new titles, especially those being published by debut authors and midlist authors trying to build a readership, breaking out is tougher than ever.